Plot is Not Real
writers need something better
My writing students often ask me what ‘plot’ is, or ‘how to fix a plot.’ It happened enough times that I knew I had to let more writers know the truth—plot is not real.
As readers, we might look at a book we’ve finished and identify turning points and key scenes. For a school assignment, we might even be able to summarize the book, if asked what the plot is. If we don’t enjoy the story in a book we might say, ‘it had no plot.’ If a lot of events happen in quick succession we could describe it as, ‘the plot was hard to follow.’
All of this to say—there is no such thing as plot. Not for writers.
When it comes to the events of our story, the turning points, and the complex decisions of characters, we need a new framework. In fact, each writer needs their own custom one.
I call this a Theory of Experience. And I’m teaching it this spring.
For a long time, I’ve studied the books I enjoy reading, the books that are popular, and the books that I’m writing. There is a clear pattern and a beautiful alchemy that emerges when an author has a clear intention and plan behind the reading experience.
Instead of getting sidetracked by plot, I believe that writers should look at a more holistic theory of narrative—one that treats theme, characterization, and description as integral parts of the book which support the action and pacing. The best part of creating your own strategy for plot is that it maintains your unique style, voice, and vision as a writer.
I don’t think our books should align to a universal standard of ‘interesting plot’ or ‘good pacing’—but I do believe that we can satisfy readers’ desires, and the whims of publishing, by creating a cohesive book is designed with intention.
Don’t stress about the plot of your book. Plot isn’t real. There are better ways to know what happens next.
Plot is Not Real is a live lecture class. Register now, and I’ll see you in class in March!